Secret Garden Visualisation – listen on soundcloud
PART I – A brief look at poetic forms, styles, sound patterns, and language.
I would suggest learning forms and styles – even if you don’t think you are going to use them in the end. That adage of learning the backbone of things (the rules that others have used) and then discarding them (or breaking them) tends to apply. You tend to become good enough to work without them by growing from and through them and then going beyond, rather than just by ignoring them from the very start. Most babies still learn to crawl before they can walk, and apparently the movement involved in crawling helps to develop certain parts of the brain properly. It’s often only by first trying out various styles (mimicking other voices) that we can then find our own unique and thus truly authentic voice. Again, the growing child gives us a good analogy – children learn to talk first by copying others, before they can begin to develop their own conversational characteristics.
Even so, when it comes to rhyme and language, it is best to try to avoid using obvious clichéd chiming rhymes and archaic language as soon as possible – unless you are trying to be funny, or writing purely for the entertainment of your granny. If you want to get published anywhere that matters then you need to acknowledge that that has been done to death centuries ago, and try to find something that sounds a bit more modern and unique. Twisting your syntax unnaturally to try to force a rhyme has a doubly displeasing effect. You can choose to use rhymes internally instead of at the ends of lines, or even not at all.There is a huge variety of beautiful words available to us, and although there is a deep history of writers, we can still easily find soft rhyming patterns, cadences, and words that sing to us in a special way when we take the time to use them skilfully. It is always better to take the time to seek out the exact words for what you mean to express rather than to make do with second best. Even in prose writing, getting the syntax and individual words just right is very important.
In Part 2 I will look at some other things that help in developing good writing skills and avoiding some of the pitfalls. Including a mention of how some other forms of writing differ from poetry.
Taking a look at some other things that help in developing good writing skills and avoiding some of the pitfalls. (Including a swift mention of how some other forms of writing differ from poetry.)
Read widely to discover how others have succeeded before you. Try to ensure that you include material from poets of both past and present ages, and from as many countries as possible, as just focusing on one or two areas is very limiting. I am eternally grateful to several wonderful translators (particularly Robert Bly) who have dedicated huge amounts of time and effort to bringing us the works of some of these in English. (I have also had the privilege of listening to Robert’s readings of some of these on tape, where he so exquisitely enthuses about the details, and am very sorry to have missed the opportunity of interviewing him for my magazine “Rustic Rub” which I was then editing.)
Some of my favourite poets are : as a child – RL Stevenson, TS Elliot, Ezra Pound, Roy Campbell, Guy Butler, GK Chesterton, Alfred Noyes, GM Hopkins, DH Lawrence, Robinson Jeffers, Blake, Shelley, Kipling, John Masefield, Robert Graves, Wilfred Owen, Tennyson, Robert Frost, Walt Whitman, Lawrence Ferlinghetti, Rex Warner, Judith Wright, and Ogden Nash, [plus other diverse influences such as Classical music, Irish folk music, Bob Dylan, Leonard Cohen, the Moody Blues, Santana, Pink Floyd.]
And later on – Federico Garcia Lorca, Pablo Neruda, Cesar Vallejo, Rumi (and many of the other Sufi writers), Robert Bly, Octavio Paz, Vasco Popa, Rabindranath Tagore, Miroslav Holub, Tomas Transtromer, Arthur Rimbaud, Theodore Roethke, John Berryman, Frank O’ Hara, Allen Ginsberg, Charles Bukowski, William Carlos Williams, Albert Huffstickler, ee cummings, Charles Madge, Roland Penrose, Dylan Thomas, Kenneth White, Jay Ramsay, Norman Jope, Ian Robinson, Lee Harwood, Bert Meyers, Rene Char, Jean Tardieu, Henri Michauz, and many many others from Europe, further East, and from the Americas as well as other places.
Many of my early ones were from a school collection in South Africa called “Two Roads” edited by KM Durham, and many of the later ones were from a collection called “The Rattle Bag” edited by Ted Hughes and Seamus Heaney (both of whom I heard reading their own work), or from collections from various countries, or of certain types of poetry. Others were from publishers, editors, or translators, all of whom made a particular effort to bring us work from further afield, for which I am most grateful. Some of these writers I have been lucky enough to meet and call friends. I have many other much loved books, but can’t mention them all! [A huge amount of music and art also played its part in my later growth, including the surrealist painters.]
I am also indebted to my friend Gary Boswell for his community publishing efforts and inspiration, and for his huge act of confidence in introducing me to working as a poet in schools, and even prisons. I would also like to thank Thom the World Poet for his huge energy and diversity and acts of kindness in many countries in the name of poetry and other art. He invited me to participate in festivals in Texas, and it is he who inspired me to found and organise the Yorkshire Rainbow Festival.
Curiosity about most things is one of my driving forces – I love to look at details of how things work, or of how things look, smell, taste, sound, behave. This is a source of much of my writing. So I might write about the folly of the government one minute, and the beauty of a flower in the next moment. I tend to use all my senses to explore the details of the flower, or of a situation, including its relation to everything around it, even if it is just in my imagination. It is good to be sensually aware in life to fully appreciate the details of movement when you dance, or the tastes and textures of foods, for example.
Of course philosophically I know that my representation is just one view, and I am curious about your representation too. It is the huge variation of amazing things and circumstances in life, and of our experiences and interpretations of these, that informs our overall consciousness as human beings. It is part of a poet’s responsibility to try to get our expressions of our individual pictures as true and accurate as they can be. If all the tiny pieces of the jigsaw are cut carefully then we have more chance of creating a valid overall picture, and the responsibility of those in the arts is just as important as those in science in this respect. (Scientists of course have other responsibilities ideally, such as trying not to physically mess things up for us!)
It is often writers, musicians, and artists who lead the thought-field when it comes to a need for social change, because if they have done their job well, they have properly shown how things are, so that people can see if they are working okay or not. They have always considered both the details and the overall picture, and thought outside the boxes usually set up for us, not because they have dared to, but because they have to, that is what they are here for, it is inherent in their nature. Writers and other artists obtain courage and strength from the conviction of their own work, and that of others, so it is a perpetual cycle that propels them forwards, and this is often reflected in their use of language.
Surreal writing is a great way of intriguing our minds, and also one of the ways we can communicate things of great portent or meaningfulness without sounding didactic. By sort of hiding the message or meaning behind symbols that speak to our subconscious we can communicate things that would be rejected out of hand if they were approached too directly. Reading what other people have written in this style, will develop your sense of what is possible, and give you an ear for using language in this way. If you are able to tune in to, and go with the creative flow, trusting the things that get thrown up for inclusion, you will manage to write using this subconscious language. It can be surprising that you may only discover much later on just how well you have done – as more meaning continues to emerge from your own words layer by layer! It is one of the ways the so called ‘Duende’ can be invoked, but it can also come to life through vivid vitality in language.
Like tumbling horses backs as they gallop towards the beach, it is the sweat on their coats, the freedom of their movement, that counts more than who gets there first or what their names are.Our words are like raw stones and water in the pure stream of life. We say them and they leave us – yet we stay awash, like islands being perpetually eroded and built up. Our lives become sand as the water and rocks merge. Again, over time, the beaches pile up, and we lay down new rock, only to again be broken up – yet we remain, essentially an island – with those horses galloping across the land under a huge sky – with all of it, and the sea, permeating deep into our psyche – which ultimately blends with everything.Space and light always gets into the mix if you follow your real free mind’s eye, and allow it to express what is impressed upon and reflected meaningfully within you. Like a great artist, your portraits and landscapes glow like those sweating horses, reflecting the sky in their rolling eyes, leaping like the foam on the wave tops, frothing and seething with unmistakeable representations and interpretations of life.
It is part of being human that we can feel most whole when we accept the impermanence, the continual ebb and flow of life, the overall balance once we let go of trying to hold on to things.Let the drumming horses hooves, the earth, the wind, the singing white foam, make a place within your heart that you can always call home, no matter what else changes.May the spark of the Duende reveal colours glinting in the dark, so that you are never afraid, even if you are alone, to simply dance.May you never have issues with writers’ block – because writing gets inside your skin – the perpetual itch, the compulsion, to say what you mean, feel, dream, think, breathe.
I have a way of writing that I do naturally, but when asked to define it, gave it the term ‘Psychological Landscape’ poetry. This is rather like what I have been writing above, and I have found that I can successfully impart this ability to others when I do workshops, whether it be with adults or with children. There are many examples in my poetry collections – the two most obvious ones being still available are “Following Father” and “Terra Affirmative”. Following Father also contains some lighter work, about my travels, family, and other things, as well as some early political writings where I explore several forms and use humour to help get things across. Terra Affirmative is printed together in one cover with another collection called “Riding the Escalator” which is a bit whacky, and generally depicts the journey of becoming a more public poet.
There are other ways of avoiding or at least disguising didacticism – one of my friends, MC Jabber, is a performance poet who simply speaks so fast that you have to be intrigued enough to listen to his work several times to absorb what he is saying. Rappers can also use this tactic, and both effectively employ music and drama. He may show anger but this tends to be done in a cerebrally organic way, that again evades casual scrutiny. His delivery gives more of a sense of being musically informed rather than of using music to go along with the words. Every tiny sound or gap counts, so it is not just what he is saying that matters, but the pattern of it too, which gets into our heads in a different way to the way symbolism or surreality does, because of its intricacy.
I have also been rather successful with a series of my works termed ‘prose poetry’. I learnt about this from several of my fellow poets and editors, (including Ian Robinson and Albert Huffstickler), some of whom were exceedingly good at it, and yet it was still possible to develop a unique voice for this. Robert Bly wrote a brilliant article about prose poetry for an international journal funnily enough called “The Prose Poem”, and that was very helpful too. So, I write this style in prose paragraphs, but still using sound patterns and spacing and language in a musical and artistic way. This in itself makes it very definitely poetry rather than prose. The way I use it to express my deep reflections is also very different from most prose writing. I don’t discuss what’s, why’s, and wherefores, I simply show what I mean in a very unique way. It sometimes makes unusual connections or juxtapositions or shifts in topic matter, as you can also do in other styles of poetry, and it can sometimes also be surreal in the way it uses language. Yet I can achieve something different with it than I can in other forms of poetry – and that has to do with tone I think, which is enhanced by the kind of timing in my sound patterns that is only possible with the longer sentences. I can sound matter-of-fact, or detached, yet make revelations that perhaps seem more shocking or bizarre due to the tone used. Maybe the lack of drama makes them seem more real than if they were hyped up, or maybe it’s to do with showing how easily we accept unnatural things as supposed facts in our everyday lives, how easily they slide under our radar; but either way it is mostly the different tone that gives my prose poetry a different voice. So I conclude that I am able to handle a different sort of topic, as well as handle familiar subject matter differently – given the structure of paragraphs as my units instead of verses made up of lines. There are just a few of my prose poetry books left – COUNT, and SPAN.
Then of course you can get flowery prose, which is not poetry any more, but is prose written in a flowery or overly descriptive way. This can of course, still be very artistically appealing, and speaks to us in a different way to straight prose, which can become more and more formal as you go from story narrative to reporting narrative and from essays to articles and non-fiction books, and on to scientific papers and business reports.
Short stories can also be written in the sort of flat tone I use for my prose poetry, as sometimes the straight telling of the facts is more effective in itself than dressing them up, and maybe my prose poetry was influenced by some of the short story writers using this style (such as Raymond Carver and Andre Dubus – both introduced to me by a friend who is an excellent poet and short story writer himself – Daithidh MacEochaidh), yet my prose poetry is more definitely poetry due to the cadences and language used. (I was also impressed by the writing styles of Jane Smiley, particularly in her book “Ordinary Love”, and by the works of Paulo Coelho.) I think all these writers write in a straight but particularly tender way, that makes them stand out for me.
What I find quite interesting is that even in strictly formal writing you may very well encounter more fiction than truth – when we have subversively been led to believe that formal writing is more authoritative. In this day and age, with the internet, fortunately more people can see that this is certainly not necessarily true, and recognise that we have been misinformed and sometimes evenly deliberately misled about a lot of things. We are learning to do our own research, to include wider sources, and reach conclusions based on trusting our own innate wisdom, which is basically what poets, musicians, and artists have been doing all along
For a poet, even though he/she knows that his/her voice is only one voice amongst many different voices, it is imperative for his/her own integrity that he/she express his/her utmost personal truth. This does not mean that he/she can’t have fun and play around sometimes, which is essential for anyone to do in order to take a break from serious work and maintain one’s sanity, but people will know when he/she is playing and still recognise who he/she really is.
For story writing, whether long or short, I like to try to be authentic by getting inside the heads of my characters, and letting them speak as they feel, and do what they do – so I follow their actions rather than direct them, and the stories are told in their voices rather than mine. The setting, and even the plot develops as we go along, rather than me planning it out beforehand. Your characters have to remain very interesting otherwise you will get bored with the writing, but the same surely applies even if you have planned everything out beforehand as well. It can obviously work better for some people to plan things carefully, and there are graduations between the two sides of the coin, where you can plan partially perhaps, at least to help you avoid losing your sense of direction.
In stories of course you can still share important information about a topic and how you feel, with the storyline giving you yet another way of making this non-didactic. You can simply show your reader whatever you wish to show them by making the story an example, laid out with suitable settings, situations, and characters.
At the other end of the creative writing spectrum as far as length goes, Haiku are very tiny poems, but are very interesting examples to look at because of the hugeness of what is involved in writing good ones. They are also something I like to discuss, as they are often mis-taught, which I find a great pity. There are hordes of deformed things staggering about out there that people are calling haiku but very definitely are not Okay so what are they?
Well the one thing that people get right is that they only have 3 lines. Then they mostly say that the lines should be in syllables of 5, 7, and 5 again. This however, is only a maximum specification, so you can have less syllables if you like, although the balance should still be that the middle line has the most. One should use this minimalistic style to best effect by discarding any superfluous words such as ‘and’ and ‘the’ and conjunctions wherever possible, so they should not be normal sentences. They are often split into two phrases, maybe separated by a semi colon. Haiku should not be used to discuss mundane things or to tell us what you are doing or what your views are. They should be like tiny brush strokes depicting a natural scene – in fact they should contain what is called a ‘kareji’ word, which is a seasonal word, although it is much less obvious than just a word meaning a specific season, so it can be something like grass or water or a bird or the sun (all things that can change their characteristics with the seasons, or in fact even the time of day) – it doesn’t have to go so far as being brown or green or tall or short grass, or ice as opposed to a lake, as far as I can tell, although sometimes these distinctions might help with the next requirement. There is supposed to be a thoughtful juxtaposition between stillness and movement, so you could now use swaying grass against a still tree trunk, or a flying or hopping bird against the still ground or a tree, or ice on top of a slowly moving stream. This is where the use of that semi-colon comes in, to separate the two, and I observe that it is often the first two lines, separated from the third. There is supposed to be a kind of spiritual contemplation implied in, and thus obtained from, a good haiku.
Now I am going to take this a step further – because on reflection, I think there is even more to this. Putting our attention on Spiritual stillness can, just as in tantric sex, serve to both temporarily distract us from the urgency of movement, and at the same time intensify the senses when movement comes back into play. So haiku are like tiny meditations, where we get a sense of the steadfastness underneath all the activity, and can also appreciate that there is even moving energy within the still body, the hill, or the tree before we follow again the more obvious movement of the bird or the leaves blowing along in the wind. It kind of binds us to the earth and yet gives us a sense of freedom because we can actually choose when to be still and when to be busy. It also gives us a sense of the relationship between our chattering minds and the stillness and depths we could obtain through meditation, and maybe even asks us if all our rushing about really means anything much, and if so, what.
So you can see that a genuine haiku is a tiny glistening jewel that has been given much attention to polish it enough to reflect all that meaning for us!
In part 3 I will be taking contemplation further, showing that it, along with other lifestyle essentials, can help to maintain holistic health for even the most obsessed writers.
Taking contemplation further, showing that it, along with other lifestyle essentials, can help maintain holistic health for even the most obsessed writers.
Writers and artists tend to be prone to emotional roller-coaster rides due to the strength of their emotions and the compulsive, wide ranging interest in life’s nooks and crannies. They can be torn apart by despair or anger at some stupidity or injustice one moment, and then swelled with joy by the beauty of a bird song or the sight of the hills in the dawn light, or the smell of the sea. So it can be especially useful to use meditation to try to keep one’s self more grounded and balanced, to still the mind inbetween its flights and ravages. Meditation also helps to expand our consciousness, so that we can examine and express things even more deeply.
Writers and artists also tend to become so absorbed in their work that they lose all sense of time. They can easily forget to eat or sleep when they should, so after the galloping hours of being propped up by the adrenaline of their creative juices, they can suddenly become very tired. It is hard to try to discipline one’s self to live a less erratic lifestyle without losing something of that creative power. It goes rather hand-in-hand with the territory – you never want to stop in full flow! However, if you do try to focus, in some of your inbetween periods, on catching up on sleep, getting some exercise, and plenty of healthy food, then it obviously helps redress the balance. Even if our lifestyle is erratic, it can still be quite holistic – something I always advocate aiming for – good physical, mental, and spiritual health overall. If we can achieve this then we are as fit as we can be to face whatever tasks and purposes life hands us, or we choose to make for ourselves.
I always remember the remonstrations of one of my friends, David Caddy, who still edits “Tears in the Fence”, to “show rather than tell”, and this also brings to mind the advice of Ghandi to “Be the change you wish to see in the world”. So if you are a writer, always remember that you are taking on a responsibility with it, that grows as your writing spreads more widely. You are both being an example, and revealing the world to us through your perceptions. Although your voce is only one unique voice in a sea of many, yet you still have the power to influence more people through your words than you will personally meet. Taking care of yourself is part of that responsibility.
My books are available from my website http://www.radiance-solutions.co.uk/jwbooks.htm
I wrote a prose poem to honour Robert Bly for the influence of his work on me, and it’s in my book SPAN.
I suddenly started looking up John Lennon quotes on Goodreads the other day – which helped inspire me to write this article. I didn’t know then that it was the anniversary of his tragic death – I only found that out a day later when I started seeing posts on Facebook that made it obvious that a lot of my friends had also been looking him up and replaying his music. I don’t think it was just a co-incidence that I made that connection, I do think that his spirit is still very much with us in our attempts to find better ways of being at peace with ourselves, and living more in harmony with the planet.
As I co-administrate a Facebook open group called ‘Back to The Garden’ some of his quotes were particularly relevant – such as “I’m not really a career person; I’m a gardener, basically.” Also, “The thing the sixties did was to show us the possibilities and the responsibility that we all had. It wasn’t the answer. It just gave us a glimpse of the possibility.” Our group is already named ‘Back to The Garden’ because of the 60s song ‘Woodstock’ which says “We are stardust, we are golden, and we’ve got to get ourselves back to the garden”. Our aim is to share information to help us try to live sustainable lives by creating supportive local communities, and to participate in global meditation link-ups to help influence the collective consciousness towards achieving this. We also share creative inspiration to help express our ideas.
So, back to my original article – which basically shows why I think John Lennon is such a great example to us all – of how to truly be ourselves.
John Lennon was such a thoroughly REAL person. His quotes reflect all sides of human nature, from the sad and withdrawn, to the desperately painful, to the angry, to the loving and celebratory, and from the arrogant to the humble, as well as from the serious to the exuberant humour-filled sheer absolutes of expression. We all have many sides to our nature but we tend to try to pretend that we don’t, mostly because we are afraid to show some of it. Does society make us think that if we remain on a bland even-keel we are more agreeable to others? Surely we are more interesting if we share what we truly feel? It’s perfectly possible to be honest without being horrid. Why can’t we just accept all of it and be this real? Okay, we don’t all need to be huge public characters, but we can be quietly firm about who and how we choose to be.
Another quote of John Lennon’s which is staggeringly beautiful in its stark honesty is “When you’re drowning, you don’t think I would be incredibly pleased if someone would notice I’m drowning and come and rescue me. You just scream.”
If you are facing a period of ‘depression’, why not allow that to simply be for a while? I generally have 3 days of it every now and again. I learned from a very early age to manage it. You could say it was artistic temperament, but it isn’t just that – we all have natural cycles energetically and physically, which affect us emotionally, and I believe we are better off listening to these than trying to deny them. (Of course, you should look after yourself with good nutrition, exercise, and the right amount of sleep, because imbalance in these areas can exacerbate or oven trigger such periods.) I give myself permission to let it happen and actually explore it – I write or paint myself through it. I don’t do anything I don’t want to – I just live with it. Okay, so I don’t usually publish what I’ve written at such times – but I do learn from it – and I am well aware that I am processing emotion, dealing with it – not trying to suppress it. I know that after the 3 days it will go again because I have given it the space to play through. Often, I make positive changes in my life after these stages – so they are like transition phases. I seem to gather strength and insight from actually allowing them to really work through, and somehow grow from the experience. Perhaps by allowing the darker side its space, I then get recompense by gaining access to more of the light, because sometimes it is straight after one of these periods that I produce my best work. Maybe if we looked at it as if we are like snakes shedding skins so that we have room to grow some more, we could learn to process these phases naturally, we could all deal with them. Maybe they wouldn’t hang around then – we could trust ourselves to get through them – not let them overwhelm us, or leave us stuck half in half out – we could go into them fully and come out the other side. I think it is healthy to allow one’s self to honestly explore all sides of your nature, as that is probably the only way you can truly get to know and trust yourself. I think that is why I love John Lennon so much – he trusted himself to be real – and he told the truth.
Art of any form – music, writing, painting, are the most obvious ones, but there are many more, (and we don’t have to be ‘artistic’ to express ourselves, you could just write letters you may never post, or notes to yourself) – any of this helps us to truly face the world and explore it and the human psyche. We may begin with ambivalence, but we soon become fearless if we explore thoroughly enough. We become powerful in ourselves because we are learning to understand ourselves. We can’t ever really hope to understand everything around us, but we can learn to understand ourselves in relation to anything else. If we know what we stand for and how we feel about things – then that never changes no matter what else changes around you – you become like a rock, yet at the same time feel floatingly free. (Of course if you do learn from new information and experiences or learn to respond differently to situations, your outlook does evolve, but you are still the floating rock that is you growing as part of the conscious universe).
You know we need variety in life to make it interesting. There has to be variety to even enable us to exist as individuals. So you stop blocking it off – you accept your curiosity and begin to explore, and the more you do this, the more you tend to then celebrate and appreciate the variety. You also accept your vulnerability, yet at the same time feel incredibly strong because you have opened fully to life. Life feels magical – even in its madness and confusion – it is staggeringly intoxicating.
So let’s grasp the bull by the horns and dare to be real – you’ll be amazed how great it will feel…. Not to be sucked in any more, not be afraid any more. You will feel powerful, filled with energy, draw yourselves up, and take control of who you want to be.
Neale Donald Walsch said “You are all in the process of defining yourselves. Every act is an act of self definition.“
Ralph Waldo Emerson said “To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.”
And Shakespeare said “To thine own self be true, and it must follow, as the night the day, thou canst not then be false to any man.”
John Lennon also said “There are two basic motivating forces: fear and love. When we are afraid, we pull back from life. When we are in love, we open to all that life has to offer with passion, excitement, and acceptance. We need to learn to love ourselves first, in all our glory and our imperfections. If we cannot love ourselves, we cannot fully open to our ability to love others or our potential to create. Evolution and all hopes for a better world rest in the fearlessness and open-hearted vision of people who embrace life.”
But wait a minute, just as with Lennon (and many others) – those in power don’t want us to be real do they? They want us to go on consuming their goods (with poisons in them), and watching TV (with all the pap they’d like us to believe). They want us to feel powerless so that they can continue to lead us blindly into wars and other money making schemes, and so that we accept their laws and judgements, instead of questioning them or standing up for ourselves and our rights. If we are real then we become a threat to them, and they feel a need to deal with us – exactly, you got it – but now there are too many of us, and things are going to have to change. If we stop listening to them, if we stop using their systems, and simply walk away – that is all that is needed.
Then we will look after each other at community level – ensure we are can access healthy food, work together at projects that sustain us – not them – keep things local – it makes much more sense. Trade our skills, make things that last, that don’t waste raw materials and fuel, things that are truly useful – not junk to make profit out of others. We can take back everything they have been trying to take away from us completely, bit by bit, over centuries, sneakily.
Marianne Williamson said “Do you really not know what to do? Or do you just lack the courage to do it?”
Ghandi said “Be the change you wish to see in the world.”
Van Morrison said “You can’t stop us on the road to freedom, you can’t keep us ‘cause our eyes can see.”
And John Lennon said “You may say I’m a dreamer, but I’m not the only one. I hope some day you’ll join us, and the world will live as one.”
Another thing John Lennon taught us was never to be sucked into trying to fight those trying to exert power over us at their own game. He said “If you want peace, you won’t get it with violence.” And “There’s no separation. We’re all one. Give peace a chance, not shoot people for peace. All you need is love. I believe it. It’s damn hard, but I absolutely believe it.”
So don’t allow yourself to be diverted – firstly it infects you with their level of thinking, secondly it takes your power away. Save your power for doing the good stuff, dismiss the rest as insignificant. As long as you remain complete in who you want to be, you will keep your absolute power. The minute you slip into something else – you lose some of it to them. Don’t give it away, keep you power quietly to yourself, and you will always be free, they cannot defeat you. No matter what they do, your power remains yours – they do not get a jot of it. Look at how we remember the great people like John Lennon – that’s because they never lost anything at all. He has become untouchable, and yet we can all touch him and his dreams, and help make them as real as he believed they could be. He said “A dream you dream alone is only a dream, a dream you dream together is reality.” And “Peace is not something you wish for; It’s something you make, Something you do, Something you are…..”
More notes regarding depression.
Cognitive Dissonance might arise when you begin to realise there are things wrong in the world but can’t see the whole picture so your bits don’t fit or make sense, or you might be disappointed by the difference between your expectations and what has happened, or of people. As Lennon said “The more real you get the more unreal the world gets.”
So you need to re-adjust. Surely allowing ourselves the time to do this rather than try to fight it is actually healthy? Look closely at how you are feeling and thinking. Express how you feel through safe means – artistically, or by speaking to a friend, therapist, or to an inanimate object or imaginary person, or by writing letters or notes. Even ask rhetorical questions, or ask for what you want to happen – it helps you clarify things and you might even find answers. Recognise your autonomy – you can seek clarification in your understanding, or you can actually just choose to change the way you want to feel or do things. Medication obviously is useful in that it can give you the break to rest and steady yourself, before beginning to explore what is happening. If you view it as a tool to get back up a few steps, not as an excuse to just lie down at the bottom – then it is a positive and empowering act rather than something you are succumbing to. You should ideally always have a plan with your doctor to ensure that you are helped to withdraw carefully and gradually as you take back your power. You do sometimes need to be firm with your doctor about this, take responsibility for your own best interests, but never try to do it completely on your own.
Khalil Gibran wrote that “Your pain is the breaking of the shell that encloses your understanding.”
Plug into the umbilical cord of power through meditation and recharge yourself. Connect with the beautiful energy of the planet too. You are a rock between the earth and the reeling stars. Stand there feeling it deeply. Reach out your arms, dance if you want to, swim in the moonlight, sing or shout. Feel the processes in yourself re-adjusting, and renewing – and you will emerge with magic keys – re-enter life in the next stage of growing.
Remember your connection with the harmonics of the universe. You are one aspect of the one life force, manifested as human consciousness – everything else is a distraction. Focus on your relationship with the life force and yourself – who you are being – how you want to be. Other worries often pale into insignificance when you look at the bigger picture. You begin to realise that none of that small stuff can stop you from choosing exactly who you want to be. When you appreciate the astonishing variety of life around you, you tend to just find it easier to allow other things and people to just be as they are. Reasoning doesn’t matter so much anymore, even forgiving doesn’t matter much anymore – because you see that there is no need, you just let go of the small stuff and walk on deep into the wonder of being fully alive.
As John Lennon said: “Limitless undying love – which shines around me like a million suns – it calls me on and on across the universe.”
He left us a great legacy – an example to follow – and the power of his honest to goodness words, actions, and amazing creativity lives with us still.
A meditation to relax, let go of stuff, gather and renew your energy.
on SoundCloud firstl ink – or on YouTube below
Stardust Meditation – THE SCRIPT
Hi, this is Julia Woodman from Radiance Solutions. Thank you so much for joining us today, and I hope you will enjoy this meditation.
To begin with, please take several deep breaths, and relax all parts of your body. Start with your shoulders, let them move up and down with the first few breaths to release tension, then after your breaths settle down to a steady rate, begin to relax from the top of your head, down.
Feel your scalp relax, then your neck. Now relax your face muscles, your jaw, and again your neck, and shoulders, then your arms, and hands.
Feel the centre of your chest relaxing as you breathe gently now, and your abdomen,
then your hips, thighs, knees, lower legs, and feet. Wriggle your toes and fingers slightly if it helps.
Now please imagine yourself in a beautiful and special place where you feel safe and strong.
Take a moment to ensure you are settled in there.
Now, align your head with the sky, the planets, and all the elements of life out there.
Think of that wonderful universe to which we are all connected.
Feel that connection deep within you.
Now feel our mother earth beneath you
Align the core of your body with her generous beautiful energy.
Let go of any negative energies you might have been holding on to.
Let go of any worry, blame, anger, guilt.
Let these energies go from wherever they might be hidden in your body or mind.
Sigh and move a little if it helps to let it let it all go.
Feel yourself filled with gratitude for life instead.
Let go of any lies or false stories you might have been holding on to.
Feel all this coming out of any part of you it might have been weakening.
Allow mother earth and sister sky to transmute them into harmless ash.
They now give you back your energy you have been tying up and wasting on these things.
Feel it in pure form, pouring into you, filling you up, strengthening all parts of you.
Now feel the energy between the heavens and the earth meeting in your body.
They relax you deeply and balance your spine and all your energy centres.
Feel the wonderful warm loving energy caressing the insides of your body.
It is healing anything that might have been getting in your way.
Now we are going to collect any other energy which may have been scattered so that you can totally renew yourself.
Bring back any of your energy that has been left in the past or that may have gone ahead into the future. Bring all your energy back into the NOW. If you simply ask it, you body knows how to pull it back. Ask it right now to gather that energy up, and feel it coming in.
Keep breathing softly while every scrap of that scattered energy returns to you.
Now, let go of attachments to things you don’t need any more
Claim that energy back now too.
Feel your body fill with all the returning energy.
Re-claim any energy unconsciously tied up in fear – or in judgement of your self or others.
Put the returning energy in your creative power pot.
You now have more energy than you ever dreamed possible. You can create your own magic in life.
Reassure your inner child that she doesn’t need to protect you any more.
Give it a hug and explain that you are grown up now, a mature being who can take care of their own thoughts and actions, but that you will always love that child, and will still often have fun playing games with it in your special places in this lovely world.
Ask you deep inner self to always remind you to honour the world and the universe, and every living thing, by being who you truly are and sharing your gifts with joy and love.
Feel your body tingling with golden hearts and stardust — all the elements you need to return you to your true and sacred power.
You are now free and complete. Give thanks, then when you are ready, wriggle your toes and fingers again, then stretch to bring yourself fully out of the meditation.
Authenticity is where the BEING living their life, or delivering their work, encapsulates / embodies / represents – the absolute true essence and spirit of the life or work.
This gives the life or work grace and power that is not ego based but which simply comes from their direct connection with, and attunement to, the forces around them (the planet & universe, the elements, the sounds, the colours, the exquisite details of all life. Their life or work is heart-centred, and absolutely sincere.
It enables a person to find their own truth of identity and being, and thus live a life that realistically fits this true self, and therefore brings fulfilment. It also communicates that to others, and even encourages others to open to their own light in response.
I think this is what they call the Duende, in poetry and music.
EMBODY YOUR TRUE ESSENCE & SPIRIT
Stand behind who you believe you are.
Be in your heart.
Stand behind your words,
Do what you say you’ll do.
Do what you’re good at.
Be truly you.
We can all be instruments of grace.
HEAL YOUR PAST – don’t hold onto pain. Let it go.
(escape the little boxes we get put into )
Forgive your parents
(for they know not what they did)
(they thought they were trying their best)
to truly get on with your life.
When we lay down unnecessary baggage,
we can stand up tall and love our lives.
Choose what sets you free
To truly express your skills
Life is an expedition – where we decide who we are –
Through what we choose to experience – and how we choose to act.
The steady soul and the ego pretender
Walk with their arms round each other’s shoulders
Through the mirage.
They have learnt to work together
Instead of trying to destroy each other –
Have become team-mates in a balanced life.
Despite the chaos, they can thrive
Because they have stepped out of the struggle
To view the big picture from the outside
They can use their assets such as body and mind
To solve the riddles of their soul
And let their hearts gracefully unfold.
Become the greatness you can be –
drink the Holy Grail of yourself.
‘stepping out of fear’, ‘being unlimited’, ‘finding the keys’, ‘being in your heart in all you do’,
So, we may not be able t explain the world. Not exactly. But we can accept it, and love it. We can turn our faces to the light and examine the minutest details simply for the sake of it. We can live lives of joy and purpose. We are all part of one whole. Take comfort in this. Almost every one of us is capable of holding a cup to another’s lips without our hands shaking.
(optimist / pessimist / brave / fearful / open / pragmatist / realist / idealist / artistic / practical / loving / cut off / social / withdrawn / introvert / extrovert / patient / impatient
You are UNIQUE
Don’t let anyone put you in a box
We can be different things at different times
Or even all at once –
Like the universe we come from.
Have some fun with life,
Explore potentials and thrive.
Break out of the box today – let me help www.radiance-solutions.co.uk
Move beyond limits, frustrations, pain –
“remember, the entrance to the sanctuary is inside you” – Rumi
Walk through your door with our advice & support
Open the doors to your authentic self and life with our guidance and support.
Why try to do it alone?
We often think that too much power is not great (power corrupts),
But that is only because we have seen bad examples of what certain people have done.
We misunderstand POWER.
We might even fear that too much bigness would get us shot down / rejected by others.
But POWER TO HELP OTHERS is good power –
It is not destructive – like the power to oppress or hurt people (such as in war / politics / business).
Power itself is not an issue – it is how we handle it that matters.
And we can focus on the good power to do good.
If you are being IN YOUR HEART, expressing your true self,
Then you are being strong and steady, yet HUMBLE,
And giving yourself to the world.
Various QUESTIONS to ask yourself
What lies at the core of your being?
What do you identify with?
What means most to you?
What would you like to be remembered for?
How would you describe your true self?
Are you BEING that true self?
If not then why not?
When and how will you make a start to get closer to this?
Would you like us to help?
What do you love doing and what are your skills?
Write some other statements about yourself – such as these……..
I stand for freedom and truth. I stand for fairness and objectivity.
I see all sides of the picture to understand rather than jump to judgements from a limited (subjective) perspective.
I stand for real communication and choices for all.
If you like – copy and paste these questions and their answers into a document you can then email to us,
and we will offer a response. firstname.lastname@example.org
If you would like to life-coach yourself you can do so by using our life coaching pack of guidance and forms available from www.radiance-solutions.co.uk/essenceguides.htm
8 is my lucky number because it stands for infinity when it lies down.
Meditation is a wonderful tool for so many things
You can get our meditation guide here www.radiance-solutions.co.uk/essenceguides.htm
let your mind be free
and have fun
The mandala came from Bell & Todd who have other amazing peace meditations
and visions of Gaia’s Grace – all as videos including many more of their beautiful mandalas!
You can also see Julia’s Meditation page or her article on